Choose the photo you want to improve.

Retouch a portrait, remove a distraction, combine a photo with a logo or prepare an image for print. Keep an editable working copy as you go. Get the direct download. The final section explains current limits.

Workspace

Start with the photo and the correction.

Open the image, decide what needs changing and set the size for its next use.

Soften a selection edge so a correction blends into the surrounding photograph.

Menus

Choose the image, layer, selection or filter command for the edit you need.

Palettes

ToolsChoose a selection, brush or crop tool for the part of the photograph you want to change.
Options barSet a softer selection edge, change brush opacity or enter the crop size for your finished image.
LayersMove a logo above the photograph, hide a caption to compare versions and use a mask to blend the layers.
ChannelsInspect individual colour channels or save a selection to reuse on a later correction.
HistoryReturn to an earlier editing step to compare the result or try a different correction.
HistogramCheck the spread of dark and light tones while adjusting the photograph.
Info · NavigatorInspect colour values, zoom into a detail and move around a large image.
Brushes · Colour · Swatches · PathsChoose a brush for retouching, reuse a brand colour or keep a path for the next edit.

On the canvas

Use guides to align a logo and caption; use Quick Mask to inspect the selected area.

Dialogs

Preview a correction before accepting it. Cancel restores the previous state; confirm to add the change to History.

Layers

Combine a photo, logo and caption.

Keep the background photo and each added element on separate layers. Reorder or group them as the composition takes shape.

Masks

Use a mask to show a correction only where it is needed, or hide part of a placed element.

Blending

Adjust a layer’s opacity and blend mode to balance it with the photograph beneath.

Layer effects

Add a supported shadow, glow or stroke to help a logo or caption stand out.

Type layers

Add editable lettering for a product name, event title or short caption.

Select

Correct just the sky or the subject.

Use a rectangle, ellipse, lasso or Magic Wand to select the area you want to work on.

Add to or subtract from the selection until it covers the intended area. Soften its edge when the correction should blend gradually.

Use Quick Mask to paint and inspect the selection before applying an adjustment.

Paint

Retouch a distracting detail.

Use the Clone Stamp to cover an unwanted detail with pixels from a suitable nearby area.

Paint a small correction or erase a mark on the selected layer. Adjust the brush size and softness for the area.

Work on a mask when you want to reveal or hide an edit, rather than painting directly on the photo.

Adjust

Brighten a portrait or correct a colour cast.

Adjust Levels or Curves to improve the light, or use colour controls to balance a photo that looks too warm.

Preview the correction and use a selection when only part of the image needs it.

Watch the histogram and the photograph while adjusting the tones; inspect faces, shadows and bright details before accepting.

Non-destructive

Try a look you can revise later.

Put a light or colour correction on an adjustment layer. Reopen it to change the treatment, or lower its opacity to soften the result.

Use colour wheels for a treatment or load a supported LUT when you want to try a particular colour look.

Keep the layered TIFF when you need live adjustment layers. PSD export flattens those adjustments into the picture.

Filter

Blur, sharpen or add texture.

Choose a filter for the selected layer or area: soften a background, sharpen a detail or add a grain treatment.

BlurSoften a selected background with Gaussian Blur or add directional movement with Motion Blur.
SharpenBring out fine detail with sharpening or refine the strength of the correction with Unsharp Mask.
NoiseAdd texture with noise, or smooth small specks with Despeckle and Median.
StylizeTurn a photograph into a graphic effect with edges, outlines or mosaic blocks.
OtherExplore High Pass for detail, Offset to shift image content or a saved custom filter for a repeated effect.

Inspect the preview at a useful zoom level. The filter follows the active selection and its feathered edge; repeat it only when the result needs another pass.

Colour

Prepare an image for the next output.

Choose the colour mode and profile required by the next app or print job, then inspect the converted result.

Keep a 16-bit source file for supported tonal work; see the limits below.

Channels

Inspect individual colour channels or save a selection as an alpha channel when a retouch needs it.

Profiles and printing

Check print size, position and colour settings in the print dialog. Use the profile and file requirements supplied for the job.

Vector

Put a crisp logo on a product photo.

Draw a path around a product or use it as the basis for a selection or vector mask.

Place supported SVG, Illustrator or PDF artwork as a smart object and resize it within the composition.

Open a placed object’s contents in SVG Editor, change the artwork and save it to refresh the composition in Flare.

Files

Keep a working copy and a delivery copy.

The native format is a layered TIFF

Save a layered TIFF when you want to return to the masks, lettering and adjustments in Flare.

Opening

Open common photo and image formats, or bring in supported vector artwork for a composition. Camera RAW development belongs in a RAW editor.

Saving

Use TIFF or PSD where supported layers must be kept. Ordinary Save follows the file’s current format, so keep a layered working copy before delivering a flattened image.

History

Use History to compare a previous stage of the retouch and return to a committed step.

Automation

Use an assistant for supported editing tasks.

The built-in AI Console generates vector artwork on document paths. Use it for drawing ideas alongside the photo; it does not retouch the photo’s pixels.

A compatible external assistant can connect to Flare through MCP and work on the photo: open and save files, manage layers, masks and adjustment layers, make selections, run adjustments and filters, change colour mode and profile, resize and crop, and step through History. Describe a supported task and inspect its result in the same History as your own edits.

AppleScript and script files work on the vector artwork only, not on the photo’s pixels.

Honesty

Check the limits for your intended edit.

Some tasks still need another tool. Check these limits before choosing a workflow for the photograph.

  • Clipping masks are not available yet.
  • Layer effects and adjustment layers stay live in the native TIFF but are flattened into the picture when you export a PSD.
  • Camera raw files (CR2, NEF, ARW, DNG) are not supported. The raw option in Open As… is for plain raw pixel data.
  • There is no Liquify, no Filter Gallery, no smart filters, no Colour Range, no Refine Edge, no duotones and no gradient map.
  • Layer locking is a single lock rather than Photoshop's four, and there is no per-layer fill opacity.
  • 16-bit images keep their precision for tonal adjustments, but resizing, rotating, cropping, converting mode or profile and flattening work at 8 bits.
  • The AI Console draws vector artwork on the document's paths; it cannot paint, adjust or filter the photo.

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